Gwon Osang has long explored the relationship between photography and sculpture. If in his early series ‘Deodorant Type’ he constructed sculptures by attaching photographic images onto three-dimensional structures, in the ‘Relief’ series he questions the physical conditions of sculpture on a more fundamental level.
Gwon Osang has long explored the relationship between photography and sculpture. If in his early series ‘Deodorant Type’ he constructed sculptures by attaching photographic images onto three-dimensional structures, in the ‘Relief’ series he questions the physical conditions of sculpture on a more fundamental level.